Kilimanjaro
Galante, Conde, Vega, Cavanna
1. Cortaron (Galante, Conde, Vega, Cavanna) 08:16
2. tantas (Galante, Conde, Vega, Cavanna) 04: 24
3. lenguas (Galante, Conde, Vega, Cavanna) 04:45
4. y (Galante, Conde, Vega, Cavanna) 04:09
5. no (Galante, Conde, Vega, Cavanna) 08:03
6. silenciaron (Galante, Conde, Vega, Cavanna) 04:02
7. a (Galante, Conde, Vega, Cavanna) 04:52
8. nadie (Galante, Conde, Vega, Cavanna) 08:55
ABOUT
"Cortaron tantas lenguas y no silenciaron a nadie"
Rita del Valle Cejas (Bimma Olka) a memory of the Kakán language. All songs composed by Kilimanjaro.
By chance or not, “Kilimanjaro” —the chosen word —evokes the gathering of four musicians, rooted in the Southern Cone, with all its daily wonders and marvels.This reference to a specific, distant place becomes as mysterious as the sound created by this powerful quartet. It is the exotic mountain calling to our mountain, and in the midst of the dream, countless voices find their resonance device and distinct tone. The mountain sings, and it is not the afterlife.
Kilimanjaro
nadie
To listen the full album and to buy it click here
MUSICIANS
Fabiana Galante – piano, objects
www.facebook.com/fabiana.galante.33
Luis Conde – alto sax, soprano sax, bass clarinet
www.instagram.com/improconde
Gerardo Cavanna – drums, percussion
www.instagram.com/gerardocavanna
Carlos Vega – double bass, objects
www.instagram.com/uncierto
LINER NOTES
«A group of sound explorers traces a free and incidental itinerary through landscapes, spaces, textures, rhythms. For their journey, they use certain instruments that sound not only as themselves, but also as expanded objects. Spoiler: At the end of the way, they reach the heart of the volcano. #Fabián Lebenglik, Argentine Editor and Critic.
Un grupo de exploradores sonoros va trazando un itinerario libre e incidental a través de paisajes, espacios, texturas y ritmos. Para su desplazamiento utilizan ciertos instrumentos que no solo suenan como tales, sino como objetos expandidos. Spoiler: Al final del recorrido, llegan al corazón del volcán.» #Fabián Lebenglik, editor y crítico argentino.